The least-seen of Mackendrick’s Ealing pictures, The Maggie tells an unusual story of a culture clash between the Old and New Worlds. Its title is the name of a decrepit Scottish vessel whose wily captain blackmails an American tycoon into using his ramshackle boat to move valuable furniture to an island mansion. Mackendrick's precursor to Local Hero applies an almost anthropological interest in the vestiges of village culture in the postwar world to establish an irresolvable dichotomy between Yankee pragmatism and materialism and the penurious charm and superstitions of the islander
Ona and Saule are best friends and passionate cooks who are stuck working at "Tasty", a local canteen. Ona is a single mother and Saulė is an enthusiastic girl from the countryside. One day, Saulė enrols them in a national TV cooking competition, which offers a restaurant as the grand prize. Without Ona's consent, she lies about their culinary experience. Reluctantly, Ona gives in to Saulė’s lies and they both manage to enter the competition. Despite being viewed as a joke, their popularity skyrockets on social media. As Ona becomes the audience’s favourite, tension between the friends escalates as it’s fuelled by the show's manipulative celebrity contestant, Bruknė. Ona even starts dating a French jury member, adding to the friction. Will their friendship survive the intense pressure of the competition?
Saad, a young Moroccan illegal immigrant, is planning a perilous journey to Canada with Reza, his Iranian lover. In Montreal, Saad is called upon to save his beloved from certain deportation to Iran, where inevitable punishment awaits.
Ona and Saule are best friends and passionate cooks who are stuck working at "Tasty", a local canteen. Ona is a single mother and Saulė is an enthusiastic girl from the countryside. One day, Saulė enrols them in a national TV cooking competition, which offers a restaurant as the grand prize. Without Ona's consent, she lies about their culinary experience. Reluctantly, Ona give...