A group of insane asylum inmates flee a broken-down bus and occupy a nearby farmhouse. As they form a collective threaded by bizarre exercises and slapstick setups, the film spirals out into a freewheeling comedy of disorder, told with unusual verve and intensity, and featuring a dissonant, if deranged, soundtrack by free jazz innovator Ornette Coleman and his trio.
The lives of six girls belong to different worlds although connected to each other through a doll called Molly, whose existence dates back to 1976, when she appeared among the rubble of the great fire of the San Carlos orphanage, in northern Spain.