For her ‘Blond Ambition’ tour in 1990, pop superstar Madonna was looking for performers who knew how to vogue. Out of countless hopefuls, the gay dancers Salim, Kevin, Carlton, José, Luis and Gabriel were chosen along with huphopper Oliver, the only straight guy. The tour was accompanied by a film crew and Madonna cast herself in the role of mother figure of her stage family. The boys soon found fans among homosexual youths who saw them as role models, while the tour came to epitomise Madonna’s commitment to gay liberation and the acknowledgement of AIDS. But the idyll fell apart after the tour. Although the dancers were pivotal to Madonna’s message, they weren't all living it. After failing to persuade Madonna to cut out the kissing scene that would ‘out’ him to his family and friends, Gabriel filed a lawsuit against her. In he Gabriel died of AIDS-related illness, while the others continued to pursue their professional careers. Now, twenty-five years later, the six surviving performers are reunited and long-buried secrets are aired. The filmmakers excel at telling the stories of these very different dancers in order to edge closer to the truth. berlinale 2016
In Italy, old, dirty, congested prisons full of violence and abuse are a dim and distant memory. Now prisoners serve their sentences in a state of deep sleep which renders them inoffensive and has drastically reduced reoffending rates. Hypersleep is an efficient, economically viable and reliable system. That is, until the day when David Damiani (Stefano Accorsi), a psychologist charged with monitoring prisoners’ mental states, finds himself faced with a prisoner about whom all information has been lost. It’s an unexpected event which triggers a chain of unforeseeable event, forcing David to face up to the ghosts of his very own past.