One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .
The film tells the story of young Sara who, after the sudden death of her father, gives up her future as a jazz pianist in New York to face her family's past as an organic livestock farmer in the Pyrenees. An exotic mix of music, rural surroundings and family ties that create a story about the strength of going back to your roots.
After a child of divorce is sent to a private Catholic school by his devout mother, his faith and morality are tested when he falls in love with a girl who requires him to commit sacrilegious acts to further their relationship.
An unflinching portrait of Dean Potter, the influential and controversial climber, base jumper and highline walker, who achieves jaw-dropping feats while battling his inner demons.