The worst is yet to come, despite Joel's belief that his troubles are finished after getting his mother in a care facility for dementia. It goes deeply into issues of love, friendship, and the fear that everyone has of losing themselves.
Taratoa Stappard’s brooding debut feature plunges us into the dour moors of 1859 North Yorkshire, where the British Empire’s reach casts long and twisted shadows. Mary Stevens (Ariāna Osborne), a young Māori teacher from Aotearoa (New Zealand), arrives in search of family truths, only to find the man who summoned her already dead and no clear path home. Stranded in an unfamilia...