A tour-de-force performance by Gail Maurice (Bones of Crows, TIFF ’22) sees her inhabit the role of Aberdeen, a woman who must rise above hardships to save her grandkids, and herself.
The lives of six girls belong to different worlds although connected to each other through a doll called Molly, whose existence dates back to 1976, when she appeared among the rubble of the great fire of the San Carlos orphanage, in northern Spain.