In 1672, two witches (Jennifer and her father Daniel) were burned by puritan Jonathan Wooley. In revenge, Jennifer cursed all future generations of the Wooley family, that the sons will always marry the wrong woman and be miserable. In the 20th century, a bolt of lightning frees Jennifer and her father from the tree that had kept their souls imprisoned. Jennifer assumes corporeal form and decides to make up-and-coming politician Wallace Wooley, then unhappily engaged, even more miserable by getting him to fall in love with her before his wedding. Wallace is a straight arrow, though, and Jennifer has to resort to a love potion. As we all know, love potions tend to backfire, with comedic results.
Big Baby tells the story of Adam Lewis, a successful horror screenwriter struggling for inspiration for his latest script. After a graphic and realistic nightmare of a hulking man dressed in a baby mask and onesie who axe murders his girlfriend Kate in the middle of the night, Adam gets the inspiration he needs for his new screenplay. Excited about the direction his story is taking, he starts losing himself in his script. Things are better than ever for Adam and Kate until “Big Baby” starts appearing in real life and tormenting and killing victims fueled by his own revenge. Characters from Adam’s script begin to pay him visits pleading for their lives, and he quickly realizes he holds their fate in his hands. Power and fear completely consume Adam until his girlfriend Kate is terrified of the man she once loved.