英国人类学家克里斯(克里斯托弗·李 Christopher Lee 饰)在中国东北地区发现一个冷冻的人型怪物,并将它带上前往欧洲的列车。然而,在半途中,这个怪物解冻并开始猎杀列车上的乘客,吸取他们的脑浆,导致了恐怖的场面。
尽管车上有军队介入并成功杀死了怪物,但它的意识却转移到了另一个人的身体上,导致杀戮继续。更加可怕的是,它还能够将已经死去的人复活并变成活死人来为它效命。面临如此绝望的局面,幸存的乘客们决定采取极端措施,销毁火车,以终结这一恐怖事件。故事展示了人类在面对未知和恐怖时的极端反应,以及他们为生存而采取的极端行为。
A local-language action film in which a former martial arts athlete must face a network of loan sharks to save her younger brother, who is trapped in online gambling debt and risking their family’s safety.
A brilliant high school senior is counting the days until she can leave her abusive foster home behind for Yale. But her plans are interrupted when a mysterious new teacher with a sinister past becomes disturbingly fixated on her.
A 24-year-old music critic gets romantically involved with members of an indie band she decides to publicize, set against Montreal's indie music scene in 2011.
art Spiegelman曾说过:“漫画是一种压缩的艺术”,他敦促我们在这种视觉媒介中看到无尽的细节:图形、奇异、富有想象力和深刻的人性。这幅全面而富有洞察力的肖像画描绘了这位天赋异禀、无政府主义的插画家,精心记录了他的生活和黑色幽默的作品,从《垃圾桶孩子》的交易卡和他后来在《纽约客》上的漫画,到他因图形小说《MAUS》而获得的持久名声,在那里他将父母的大屠杀生存故事改编成一个以猫和老鼠为特色的普遍反法西斯寓言。这部纪录片完美地反映了它的主题,易于理解,有趣,并对现实进行了深刻的探索,以只有漫画才能捕捉到的方式捕捉到它。