50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA
NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
In the island owned by a wealthy Marquis, Elena's arrival marks the beginning of a passionate love affair. Soon erotic play unfolds into obsession.
Jenny travels to Italy for a special bottle of wine for her sister's wedding. She meets Arrigo, also looking for the famous "Love Wine" and together their search leads to a love of their own.
In detail, The Villain of Villains follows 12-year-old rebellious Stephanie, who dreams of becoming a superhero like her late mother but fails the entrance exam to the Hero School. She gets a second chance if she infiltrates the Villain School to retrieve a powerful artefact that's been stolen. At the Villain School, her loyalty is tested, and her search leads her to the Villai...
Netflix正在投资两部新的瑞典电影,其中包括Karin af Klintberg和Teresa Alldén关于瑞典最臭名昭著的生态犯罪之一的纪录片《Trustor》。在这里,约阿希姆·波斯纳走了出来,用他自己的话告诉了他关于信托丑闻的故事。卡琳·阿夫·克林特伯格问自己:“五个人怎么能骗了6亿,却仍然逍遥法外?”她在一份新闻稿中说:“是男人在欺骗这个系统,这是一个经典的猫捉老鼠游戏,金融部门也被骗了。无论这是一次聪明还是笨拙的抢劫,小偷都带着一个没有戴强盗面具或开一枪的宝箱逃走了。但也有受害者,我们不能忘记”。