50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。
In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
Big Baby tells the story of Adam Lewis, a successful horror screenwriter struggling for inspiration for his latest script. After a graphic and realistic nightmare of a hulking man dressed in a baby mask and onesie who axe murders his girlfriend Kate in the middle of the night, Adam gets the inspiration he needs for his new screenplay. Excited about the direction his story is taking, he starts losing himself in his script. Things are better than ever for Adam and Kate until “Big Baby” starts appearing in real life and tormenting and killing victims fueled by his own revenge. Characters from Adam’s script begin to pay him visits pleading for their lives, and he quickly realizes he holds their fate in his hands. Power and fear completely consume Adam until his girlfriend Kate is terrified of the man she once loved.